![]() If the b7th is present, the then the 6th is referred to as the 13th. If the b7th is not present, the 13th is referred to as the 6th. Steve demonstrates some clean voice leading principles using these colourful extended chord voicings. We can also extend our voicings to include 9ths and 13ths. Whilst we can comp with basic triad shapes, the dominant 7th is a very useful sound to incorporate into our chords and voicings when comping. Triads, 7th Chords, 9th Chords, & 6th/13th Chords We will now build upon this core principle and introduce some more advanced and interesting harmonies in our right hand. ![]() ![]() The I – IV – V chords are all related through the circle of 5ths which creates a natural sense of tension and release in the blues progression. In this lesson we will explore some useful voicings, patterns, and rhythmic ideas for right hand comping over the 12 bar blues. ![]()
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